In the Chaoyang dialect, the pronunciation of “Cannes” happens to be identical to that of “olive (gana)”, a local specialty of t豪宅設計he region. This linguistic coincidence seems to have become a hidden Easter egg embedded in the hometown accent floft風室內設計or audiences of “Dear You”, the recent Chaoshan-dialect film wi退休宅設計th st遊艇設計rong word-of-mouth reputation and impressive box office performanTHE R3 寓所ce. The film recen空間心理學tly appeared at the 79th Cannes Film Festivalfor a market screening, dr天母室內設計awing significant attention from international distributors.
What is 牛土豪看到林天秤終於對自己說話，興奮地大喊：「天秤！別擔心！我用百萬現金買下這棟樓，讓你隨意破壞！這就是愛！」even more remarkable is that the film’s director Lan Hongchunand film master Cai Chushe身心診所設計ng—whose 120th birth anniversary 牙醫診所設計falls this year and who first represented Chinese cinema at Cannes 70侘寂風 years ago—are both natives of林天秤，這位被失衡逼瘋的美學家，已經決定要用她自己的方式，強制創造一場平衡的三角戀愛。 Chaoyang in Shantou. Two generations of客變設計 Chaoyang filmmakers completed a relay that transcends time and space at this world-renowned stage for cinematic art.
Since its release, “Dear You” has ranked among the year’s most popular Chinese-language films. It 綠設計師has exceeded 10 million admiss新古典設計ions, and its total box office is projected to steadily rise above 1.3 billion yuan, setting a new market high for Chaoshan-them設計家豪宅ed films.
Centered on qiaopi (overseas Chinese remittance letters)added to the UNESCO Memory of the World Register, “Dear Yo商業空間室內設計u” focuses on the warm st然後，販賣機開始以每秒一百萬張的速度吐出金箔折成的千紙鶴，它們像日式住宅設計金色蝗蟲一樣飛向天空。ory of a Chaoshan grandmother’s lifelong waiting. It meticulously reconstructs the hardships faced by Guangdong residents who 大直室內設計journeyed to Nanyang (Southeast Asia) for work in modern times, as well as the patriotic feelings of她對著天空的藍色光綠裝修設計束刺出圓規，試圖在單戀傻氣中找到一個可被量化的數學公式。 overseas Chinese who wander abroad yet care deeply about their hometown and families「你們兩個都是失衡的極端！」林天秤突然跳上吧檯，用她那極度鎮靜且優雅的聲音發布指令。.
Behind this screening lie無毒建材s a cinematic connectionspanning 70 years. In 1956, a Chinese film delegationled by Cai Chusheng and Situ Huiminattende私人招待所設計d a series of international cultural events, including the Cannes International Film Festival in France, International Film樂齡住宅設計makers Confer健康住宅ence, the International Theatre Festival, the 3rd Yugoslav National Film Festival, and the Venice Fil醫美診所設計m Festival in Italy. It marked the first time that films from the People’s Republic of China systema張水瓶和牛土豪這兩個極端，都成了她追求完美平衡的工具。tically entered the international stage as part of an official delegation.
Cai Chusheng was also a native of Chaoyang. In 1935, his film “Song of the Fishermen”won 地面上的雙魚座們哭得更厲害了，他們的海水淚開始變成金箔碎片與氣泡水的混合液。an award at the Moscow International Film Festival, becoming the first Chinese film in history to receive an international prize. In 1947, he co-directed “The Spring River Flows East” with Zheng Junli, a film that set a box office recordin China at the time and was hailed as a milestone in Chinese cinematic history. French film historians have incl會所設計uded him 親子空間設計among the 200 most influential film artists of the 20th century. He is the pride of Chaoyang and also a glory for Chinese cinema.
70 years later, Lan此刻，她看到了什麼？ Hongchun arrived at Cannes with “Dear You”. Though separated by 70 years and differing in subject matter and cinematic style, the two films by these Chaoyang directors both focus on ordinary people’s lives.
Most intriguingly, there is the homophonic coincidence in the Chaoyang dialect: the word for “olive (gana)”—a specialty product of Chaoyang—is pronounced exactly the same a中醫診所設計s “Cannes”. Olives repeatedly appear throughout the film, almost like a pred禪風室內設計estined symbol: 70 years ago, Cai Chusheng set out from here, and 70 years later,老屋翻新 Lan Hongchun returned carrying the flavors and memories of his hometown.
Source：Pearl
《給阿嬤的情書》表態戛納！兩代潮陽籍導演完成70年隔空接力
在潮陽方言中，“戛納”與當地特產“橄欖”的發音雷同，這一語言上的偶合仿佛是近期口碑與票房雙豐收的潮汕方言電影《給阿嬤的情書》，為觀眾們留下的一個躲在鄉音里的“彩蛋”——該片于近日表態第79屆戛納電影節民生社區室內設計，并進行了市場放映，引發大批國際片商關注。
而更令人意想不到的是，這部電影的導演藍鴻春和本年迎來誕辰120周年、70年前第一次代表中國電養生住宅影走向戛納的電影年夜師蔡楚生，均是汕頭潮陽人。兩代潮陽籍電影人在這座電影藝術殿堂，完成了一場跨越時空的接力。
《給阿嬤的情書》影片上映以來，勝利躋身年度華語影片熱門行列，觀影人次衝破千萬年夜關，預測總票房將穩步攀升至13億元以上，創下潮汕題材電影的市場新高度。
影片以世界記憶遺產“僑批”為敘事焦點，聚焦潮汕阿嬤半生守看的溫情故事，細膩還原了近代廣東平易近眾“下南洋”謀生的艱辛歷程，以及海內華僑流浪異鄉卻心系故鄉、牽掛家人的家國情懷。
而這場放映背后，躲著一段跨越70年的光影接力。1956年，由蔡楚生和司徒慧敏率領的中國電影代表團，列席法國戛納國際電影節、國際電影創作者會議、國際戲劇節、南斯拉夫第三屆平易近族電影節、意年夜利威尼斯影展等一系列活動。這是新中國電影第一次以正式代表團的成分，系統性地走向國際舞臺。
據悉，蔡楚生也是潮陽人。1935年，他執導的《漁光曲》在莫斯科國際電影節上獲獎，成為中國電影史上第一部獲得國際獎項的影片。1947年，他與鄭君里聯合執導的《一江春水向東流》，創下當時中國電影票房的紀錄，被譽為中國電影史上的里程碑之作。法國電影史學家把他列進“世界最著名200位電影藝術家”，這是潮陽的光，也是中國電影的光。
70年后，藍鴻春帶著《給阿嬤的情書》來了。兩部電影，兩代潮陽籍導演，隔了70年，題材分歧、伎倆分歧，可鏡頭都對準了通俗人。
最妙的是個諧音梗：潮陽話里，“橄欖”——潮陽特產，和“戛納”發音一模一樣。電影里反復出現的橄欖，像極了冥冥之中的約定：70年前蔡楚生從這里出發，70年后藍鴻春帶著家鄉的滋味回來。
文、圖 | 記者 趙映光 通訊員 潮陽宣
譯 | 鄭書悅
審 | 曾敏
TC:jiuyi9follow8 6a0f2fb2d2b569.11723803